The West London artist/producer brings an irony to the track
as he presents full lyricism with a vicious tone, particularly in the verses. The
chorus seems to contradict this as it demonstrates a melodically sung, almost typically-auto-tuned,
airy vibe that we hear a lot of these days. Though at opposite ends of the
scale, both complement each other – as the verse feeds us the main meal of
rhymes, the chorus allows a pleasant break up to recharge with.
Over a cold and snappy D Proffit production this is
another example of the force Nasty’s showcasing.